'The Dance of Death "by Ana Zamora, delves into the macabre dances.
Ciudad Real, July 20 .- The Classic Theatre Festival of Almagro hosts' The Dance of Death ", directed by Ana Zamora, who has delved into the macabre dances XIV and XV century to make" a journey between the medieval memento mori Renaissance and carpe diem. "
This co-production of the Portuguese companies Nao d'Amores y Teatro da Cornucopia will be seen on 23 and 24 July., star trek online credits,
Ana Zamora explained during the presentation of the show, which after years trying to start a project with the Portuguese company Nao d'Amores, came the possibility of launching a show on the dance macabre.
Zamora has indicated that the aim was "beyond an economic meeting, maintain a" a true artistic exchange, as both companies, "from very different aesthetic," share "a way of, ffxiv gil, understanding theater, theater address "betting on it from" a very traditional, with a direct connection with the viewer. "
The young director also explained that they chose the macabre dances because it is "a genre that talks about European unity," and that "comes across Europe in the Middle Ages and tells of influences, artists, connections," something " perfect "for an" international co-production between, buy kinah aion, companies of neighboring countries. "
Also, Zamora has indicated that, on a personal level, I was also very interesanda in the dances of death, and stated that "almost had a score to settle" with the Middle Ages, "a territory that I've hardly been able to move."
"I was interested to ask what is behind the fourteenth century, where there is no theatrical texts are examples of what was done," stated Zamora, who has stressed that "the dances maintain a spirit that has to do with that time convulsed" where "died suddenly from nowhere a third of the European population."
"I was interested in doing action research to know what type of theater that could be behind," said Zamora, for whom the dance of death are related "with ritual, with the most basic connections and origin of the theater as a need to explain and search. "
Also, the stage director, one of the usual at the Festival de Teatro de Almagro, explained that the dramatic structure revolves around General Dance, a codex of the Monastery of El Escorial, dated around the fifteenth century.
Also, has indicated that, following text, articulate other than the XV and XVI, with a game between the Spanish dance, and the rrent Portuguese, "author Gil Vicente, and his three ships."
Zamora explained that this is a show "of creation", which have been locked "two months" in an intense way to display the "memento mori travel between medieval and Renaissance carpe diem."
Zamora, who has noted that "we have never tried to indoctrinate," said his aim is "to understand what's basic, it might consist of" those musical expressions.
On the outcome, Zamora has been noted that "the show has left us less liturgical and more anthropological" than it has launched the Teatro da Cornucopia, "a show that connects with that thing more popular, with ancestral roots, where I believe that the spirit of theater. "
The director of the Festival de Teatro de Almagro, Natalia Menendez, has indicated thatdances spread throughout different countries in an impressive manner, and has highlighted the work of Ana Zamora, a "diligent" in Almagro.
It is "a show with a message of hope and satire," said Menendez. 1011007